My work tells layered, nonlinear stories inspired by everyday experience. I use domestic and personal spaces to explore broad themes such as popular culture, gender and racial inequality, climate change, and current events. These intimate spaces become stages where private experience intersects with larger cultural forces.

Technology and the relentless stream of images that inhabit our lives shape both the content and structure of my work. I build paintings through collage-like layering, fragmentation, shifts in scale, and saturated color. The visual language reflects how we consume information in a way that is disjointed, emotionally flattened, and overwhelming.

A strong but open-ended narrative runs through my work .  I do not present a direct storyline but hope to present complex issues in an accessible way that encourages viewers to form their own interpretations. Dreamlike compositions emerge, evoking memory, identity, and cultural inheritance. Objects carry symbolic weight: a dog may represent fidelity; empty chairs suggest loss or invitation; televisions stand in as both mirrors and surveillance devices, questioning the nature of reality caught between performance and the exhaustion of being seen. The tension between realism and abstraction intensifies the sense of fragmentation.

Vibrant color and textured surfaces draw viewers in, while fractured compositions invite them to sit with ambiguity and construct meaning for themselves. I want the work to feel familiar yet quietly unsettling; a space that mirrors the complexity of contemporary life.

Through the intuitive process of painting, I explore these complexities using fragmented, non-linear narratives rich with symbolic imagery. I hope this invites viewers to engage more deeply, questioning how we navigate and make meaning in a world where personal, societal, and technological realities constantly intersect and blur.